Note: This post will be full of spoilers. This is your only warning.
I feel kinda funny writing this blog post. For one thing, it’s been a couple of months since I’ve written anything at all, so the very act of organizing my thoughts into coherent sentences feels rather unfamiliar. But my discomfort stems more from the fact that I disliked Tron, and hope that no one else has paid $16 to endure two hours of mediocrity. This, of course, conflicts with my desire that people have watched Tron, and will hence read this post to read my oh-so-insightful thoughts on the movie. Ideally, all of you will not have watched Tron, will read a synopsis on Wikipedia, then come back here. But then again, my taste is definitely different from other people’s, so…maybe you should just watch the movie for yourself. This post will still be here after you watch it.
…
Fine, I lied. Here’s your final warning.
…
The main reason why I believe Tron:Legacy is a bad movie is because it brings absolutely nothing new to the table. Everything in the movie has been done before: the story is cliche and full of plot-holes, the dialogue is unmemorable, and the action is mediocre. Yes, the action is mediocre. The only action scene that stands out in the movie is the motorcycle fight, which suffered from the monochromatic-ness of the computer world. At one point, it seemed like they put the background on a loop.
I suppose my main criteria for good action are 1) novelty (think Matrix/Inception zero-grav), 2) memorable-ness (wow, I need to work on my vocabulary, also, this is kind of broad), 3) difficulty, 4) execution, and 5) humor (think Jackie Chan). Bonus points for swords. Tron nailed #2 (purely from nostalgia), and that’s about it.
The only thing that the movie seemed to get right in my mind was the soundtrack. But if the soundtrack’s the best part of your movie…well…something’s gone wrong.
I suppose I could go on and on about whether the movie was “good” or “bad”, but I find that it’s difficult to change people’s minds about that sort of thing. So let’s just move on to various thoughts I had about the movie.
- 3D technology might be the worst “new” technology ever. It brings absolutely nothing to the table. Perhaps I’d feel differently if the entire movie was in 3D. Right now, I feel cheated every time the movie switches back from 3D to 2D. Which is stupid, since I don’t think 3D adds much to each individual scene anyway. So it’s the worst of both worlds: I don’t get any additional enjoyment out of the film, only a sense of loss every couple minutes or so.
- 3 more thoughts on 3D:
- The company that made our 3D glasses was called “Real D 3D”. Couldn’t they change that to “Real 3D”? Rolls off the tongue so much better. By the way, if that name change does happen, I expect my “Sean-Parker-20%-of-the-company-cut”.
- One of my most enjoyable moments of the afternoon was looking around the theater at all the people wearing the same thick-rimmed glasses. Once again, not a great endorsement for Tron. Or me, I suppose.
- Note to all people making 3D movies: STOP SENDING STUFF FLYING TOWARDS OUR FACES. I understand if you’re creating a scary movie or something, but otherwise, it’s just obnoxious. One of the previews was for this wildlife awareness film, and this elephant kicked a virtual soccer ball toward our collective heads. This does not make me like elephants.
- This might have something to do with why I didn’t like Tron, but I hate sequels that completely ruin the original characters’ happy ending. I never watched the original Tron, and I still got annoyed at the prospect of the original main character’s being stuck in a prison for 20 years. I mean, what the heck? That’s crap. I want my main characters to live happily ever after. Is that so much to ask? They completely owned Kevin Flynn and Tron’s futures, and that’s messed up. Just saying.
- I remember Terrence commenting to me on the correctness of the Unix commands that were being displayed on the screen. In general, the movie seemed to get the technical things right, which is nice. (We’ve come a long way since Swordfish.) I guess Sam’s cell phone/computer thingy was kinda technomagical, and I’m still wondering why isomorphic programs are so crazy, but the biggest question I had was the time dilation. Twenty years is…RIDICULOUSLY long in cycles. Shouldn’t Kevin be dead? Assuming we had a 1989 processor that ran at about 25 MHz…and each millicycle seems like 8 hours in the computer…Kevin’s lived 22 million years. (Yeah, nerdy, but…I’m a nerd.)
- And now, my favorite part: plot holes! So the movie is driven by the fact that CLU wants Kevin’s identity disc. This disc will help CLU reach the outside world. This doesn’t seem to make sense, since Kevin can’t reach the outside world with his own disc, but I digress. Kevin wants to protect Cora (the last isomorphic program) and the outside world from CLU, so he continues to hide from CLU. Why, then, would he not destroy his identity disc and commit suicide? It seems the safest way to protect his own information. The only way this makes sense is if Kevin were waiting for the portal to open somehow. Yet he doesn’t seem to want to escape when the portal opens. So that can’t be it. Honestly, it really doesn’t make much sense.
- Did anybody else get the feeling that Kevin just really wanted to die throughout the movie? Throughout the movie, it’s obvious that he doesn’t think he’s going ot make it back to the real world. Even in the last scene, it seemed like he could TOTALLY have made it to the portal without sacrificing himself to kill CLU. Maybe it’s because he’s lived 22 million years; he’s had enough.
Alright, I’m done. 1000 words on a bad movie, woo.
-Tim


